Netradičný pokus o slovenskú súčasnú tanečno-divadelnú rozprávku. Predlohou pre spracovanie predstavenia je ľudová rozprávka Braček Jelenček, ktorú kedysi do literárnej podoby zapísal Pavol Dobšinský. Tvorcov inšpiroval aj skladateľ Béla Bartók a jeho široké spektrom tvorby najmä pre deti a zbierka slovenských ľudových piesní, ktoré spracoval a naživo ich pasuje na pohyb tanečníkov huslista Ján Kružliak. Interpreti Zuzana Burianová a Lukáš Bobalík vo fyzicko-vokálnej performancii predstavujú tekuté hranice identity, pálčivé rodové otázky a odkrývajú čudesné symboly rozprávky Braček Jelenček ako aj kódy tradičnej kultúry, ktoré sa nám stále vpisujú do tiel.
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The following performance reviews were generated within the project Dance Season 2018/2019 - a Slovak nationwide project of analyzes of contemporary dance performances and discussions, which was supported using public funding by Slovak Arts Council.
Visually and musically impressive performance. Live music creates a very strong emotion, the individual components complement each other, the piece is full of diverse details. Epic narrative. It analyses the theme of being different, transformation and role exchange, where work with folk motives is significant from the beginning, their transformation and mutation, simple props once reminiscent of a lamp, later a breast to which the dancer clings to as a child, then to be turned into a crown and a chalice at the end of a fairy tale as a symbol of femininity.
by Barbora Uríková
The play relates to themes and original symbols of Slavic folk culture, seeking intersections between contemporary and folk, subconscious and literary. They touch on the subject of otherness, the desire for another body, the necessary struggle for one's own space.
by Maja Hriešik
